Ovata | Dining Chair

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PETITE CHAIR, GRAND COMFORT

Defined by the pleated, oval-shaped backrest that gently embraces the rounded seat cushion, the design of the Ovata Dining Chair is inspired by the strong yet softly curved leaves of the succulent from which the design takes its name.

All details

Tech sheet

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Materials

STRUCTURE INTERIOR: Frame made of plywood.

STRUCTURE PADDING: High-resilient, polyurethane foam.

SEAT: High-resilient, polyurethane foam, with dacron padding.

BACK: High-resilient, variable density, polyurethane foam, with dacron padding.

COVER: Fixed.

LEGS: Oak veneer and FSC-certiﬁed solid oak, black/dark brown stained.

Maintenance and care

For maintenance of fabric and leather, please contact your retailer. See detailed info about maintenance and care

Downloads

Images and press material

Drawings

Test

EN16139
BIFMA

Warranty

We offer a 5-year warranty on all furniture. The 5-year warranty applies to all furniture purchased after January 1, 2023.

CONTRASTING MATERIALS AND SURFACES

While the seat of the Ovata Dining Chair is completed with a sharp bevelled edge, rounded slender legs in either brown or black stained oak add a lightness to the snug, inviting design. The generous layer of foam in the fully upholstered seat and backrest ensures that the visually petite chair grants grand and uncompromising comfort.

FOR ALL GATHERING POINTS

While designed to pair with the Ovata Dining Table, the chairs work equally well on their own or with other table types and styles, making the chair ideal for restaurants, hotel rooms or in the haven of the home.

Explore the Ovata Series:

Ovata Dining Table

Ovata Lounge Chair

Ovata Bar & Counter Stool

NOTE Design Studio

Note is a Stockholm-based design studio founded in 2008 working within the fields of architecture; interior; product and graphic design as well as design strategy. Our philosophy is to stand out from the crowd: “To note something, to get noticed: we are named after what we try to achieve. We like to pay attention to our surroundings, and try to create things that make others do the same. By looking at what is unique in every project and emphasizing that, we transform non-material values into tactile objects and spaces.”

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